...and for that matter, Community. Granted, now that indefinite hiatus has been declared for the latter series, you might only be able to Be Watching Parks & Rec. But to me these sitcoms are like fraternal twin babies that I'm obliged to hold forever, except for some reason I'll be sending one of them to camp for a few months. BUT I WILL TRAVEL FAR AND WIDE TO BRING IT BACK FOR FALL 2012.
Both Parks & Rec and Community began in 2009, and both pilots were huge stinkers. P&R started as a late-season replacement, and it relied so heavily on the Michael Scott Mold for Annoying Office Workers that it turned into an abyss of Awkward Copycattery. They didn't know what they were doing with Leslie Knope, Andy Dwyer, or Tom Haverford. They barely knew what they were doing with Ron Swanson, and that dude comes pre-packaged. Luckily, and with much prodding by Josh, I gave the show another try in early 2010 with the episode "Park Safety." In the episode, beloved office loser Jerry Gurgich bends over, rips his pants, and farts during a presentation. HUGE SUCCESS!!!!
My experience with Community is much the same: the pilot EFFING SUCKED and I refused to watch for a little while, but eventually Josh convinced me to try it again. And lo and behold, it had gotten much better. I don't remember exactly which episode changed my mind, but it was before the first paintball one, and after that the hits never stopped coming. Suddenly the disjointed, assy characters made sense, and I grew to love their group dynamic. I found that they know all about themselves, and that Abed is their self-knowing king. Because the show spends so much effort noticing how it follows and breaks traditional tv rules, it serves as its own viewers' guide. From week to week, the only predictable thing about Community is knowing that each episode's gimmick will in turn suit its plot very well.
Which brings me to my guess as to why these shows are so great: very talented writing staffs. Not only do these shows consistently pack their episodes with new, genuinely funny jokes; they're also familiar with their own parameters. Sprouting from roughly the same premise (a sardonic, ragtag crew makes up a generic office/government branch/community college study group/what have you), P&R and Community have cultivated specific styles and tones that differ from their Office forefather.
Parks & Rec follows Amy Poehler through all her zany antics, but it no longer suggests that her character is in any way incompetent. In fact, the main thing the show wants you to know about Leslie Knope is that she's successful due to sheer willpower. Possibly the only employee in her office who actually wants to work for the Parks Department, Leslie loves Pawnee, Indiana, very dearly. When an awesome protagonist loves a place that much, it's easy to fall in love with it too.
Besides honing Leslie's character, P&R's writing staff has amplified the best parts of other characters: Ron Swanson is not only a staunch Libertarian - he's also a sax player with a soft spot for women named Tammy. Andy Dwyer is not only a loser with no prospects - he's also the office clown, fake FBI officer Burt Macklin (when the situation calls for it), and the best man to walk into April Ludgate's life. Tom Haverford is not only the dude played by Aziz Ansari - he's also best friends with Jean-Ralphio, the best douchebag on television (until Schmidt from New Girl came along). Bounce, bounce bounce bounce-bounce. And I haven't even mentioned the so-extended-that-now-they're-permanent guest stars Rob Lowe and Adam Scott. Just look at this cast:
Similarly, over in the Community writers room they've created an entire universe. At Greendale Community College, air conditioning deans are evil. Monkeys are named "Annie's Boobs" and live in heating ducts. Crazy men played by Ken Jeong can become Spanish teachers with little to no knowledge of Spanish. Starburns walks around in a top hat like he owns the place. And Chevy Chase exists almost exactly how he must exist in reality - lonely, much older than we're used to, and pissed about it. Any show that gives Chevy a shot at redemption is a show I will watch.
I started out writing about why You Should Be Watching Parks & Rec, but now it seems I'm writing more about why you should give writers at least a few months to work on a show before decrying it completely. Maybe this is why I still watch the first 2 minutes of Whitney at the end of every Office recording - it could be getting better and I'd never know until Josh finally gave it a chance and mentioned it. But then again, Whitney? Probably not.
photos courtesy NBC.com
No comments:
Post a Comment